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Hollywood Reeling From Illegal Movie, TV Downloads
BRIAN DEAGON
INVESTOR'S BUSINESS DAILY
April 2, 2007
http://investors.com/editorial/IBDArticles.asp?artsec=17&issue=20070402&view=1
If you haven't seen the hit movie "300," you can always catch it for free on the
Internet along with just about any other Hollywood blockbuster.
You can also watch any popular TV show every episode of each season, even
from channels not available on your local cable network. It's all just a few clicks
away on your computer.
In the same way the Internet disrupted the music business, a high-speed locomotive
is headed right at filmed entertainment, industry analysts say.
Until now, filmed entertainment was relatively safe from Internet piracy because
the large size of video files clogged Internet pipes. But improvements in file
compression, faster networks and graphics-enhanced computers have broken down
those barriers.
"With the proliferation of broadband and better streaming, the tech trends are
bad and the problem is likely to grow," said John G. Malcolm, senior vice president
and director of worldwide anti-piracy operations for the Motion Picture Association
of America.
The motion picture industry estimates that in 2005 alone it lost $2.3 billion
to Internet copyright breaches in the U.S. and $7 billion worldwide, including
box-office receipts and video sales.
"There's no silver bullet to stop this," said James McQuivey, a media analyst
at Forrester Research. "This is a fire you'll never put out."
First Music, Now Movies
Case in point is the illegal swapping of music. The Recording Industry Association
of America has filed thousands of lawsuits and spent millions to send a message that
illegal file swapping is outright stealing. But more people are swapping music files
now than ever before.
The same peer-to-peer networks that allow the illegal swapping of music are
increasingly being used for sharing movies and TV shows.
"P2P (peer-to-peer) video only accounts for about 10% of file swapping right now, but
it's growing at triple-digit rates," said Eric Garland, founder of Big Champagne, a Web
tracking research firm.
"More and more people are getting their entertainment online without paying
for it," Garland said. "P2P is more popular than ever before."
More than 9 million people log on to a P2P network worldwide each day, and
that grows each year despite intense efforts by the entertainment industry to
shut down the ones that operate illegally.
And it's going to get even tougher to stop the flow. In addition to P2P
networks, numerous Web sites have surfaced that offer enough video content
to fill a movie rental store.
These Web sites essentially are search engines like Google, but focused on
video. They don't host the content but provide an Internet link that connects
users to wherever the content is located, on a central server or someone's
personal computer.
An example is Peekvid.com. The Web site has links to about 500 movies, including
current Oscar winners. It also lists about 200 TV series, often including
all the seasons and episodes of every show, including the hit series "24,"
which airs on News Corp.'s (NWS) Fox network. The site, which
shows the movies in a pop-up window, is ad-supported.
According to Garland, much of the video content on Peekvid can be traced
to a YouTube-like video site called DailyMotion. Just like YouTube, copyrighted
content removed by the site often reappears as countless other users upload
it again.
P2P In The Spotlight
Peekvid is one of many sites the MPAA has on its radar.
"There are very few sites which we are unaware of, and what they are
doing is clearly wrong," said Malcolm. "They're stealing and making money
off the work of other people's creative efforts."
The MPAA and other industry groups worldwide have dragged many scofflaws
to court and raided many locations that dish up the content. But there's no
sign such illegal activity is ebbing.
"It's not going away," said Chris Seline, founder of Searchles.com, a
Web search engine. "TV sites are like a dime a dozen. It doesn't take much
to put one together, to find where that content is and linking to it."
In January, U.S. Internet users viewed 7.2 billion videos online, according
to comScore, a digital media measurement firm. The typical viewer watches two
online videos a day, averaging 2.6 minutes each. The comScore research did
not include videos viewed on P2P networks.
Overall, a lot of video that's viewed on the Web is legitimate and highly
promoted. The media and entertainment industries have been actively moving
content onto the Web, much of it free.
Analysts say the entertainment industry will never be able to stop to
flow of unauthorized copyrighted content across the Web. Rather than trying
to stanch the flow, the entertainment industry should do a better job at
cashing in on the trend, they say.
"You can throw a police force at it, but it will still exist," said Stan
Rogow, a producer and writer with a string of Hollywood shows and movies to
his credit. "What you have to do is find a better way to get your stuff out
there and make it better. It's just a new method of distribution."
Hollywood has been moving in that direction, working out deals with P2P
players and other popular Web sites to make popular content available, usually
supported by advertising.
"There's no choice but to embrace these platforms," said Howard Homonoff,
director of the entertainment and media advisory practice of PricewaterhouseCoopers.
"They have the ability to create a legitimate revenue-producing business,
even though they can't eliminate the illegal practices."
Said Nolan Quan, a consultant to Broadcaster.com, a video sharing
site: "I would bet at some point the studios will win this battle."
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